David A. Jaycock has long been something of an outlier, his music skirting the periphery of traditional folk, hauntology and the whimsy of 1970s English baroque pop. His last solo album, 2018’s The Decline of the Mobile, was entirely instrumental, and showcased his love for the spooky-charming side of British twentieth-century music, all rickety synths, folk-rock rhythms, gentle but highly accomplished guitar playing and a smattering of soft piano, on the very limit of perception.